Showing posts with label Modeling. Show all posts
Showing posts with label Modeling. Show all posts

Wednesday, May 2, 2012

Korg microKorg Analog Modeling Synthesizer with Vocoder

Korg microKorg Analog Modeling Synthesizer with Vocoder Review



Korg microKorg Analog Modeling Synthesizer with Vocoder Feature

  • Sound Generation Method: Analog Modeling Synthesis System
  • Synthesizer Program: Multi Timbral=2 (max, Split/Dual Mode)
  • Voices: 4 voices
  • Arpeggiator: 6 types
  • Outputs: L/MONO, R, Headphones
With 37 keys and 128 user-rewritable programs, the Korg MicroKORG Synthesizer/Vocoder is perfect for the musician looking for a serious yet affordable synthesizer. It provides powerful synthesis with the same dual-oscillator DSP synthesis engine found in the MS2000, and offers a wider selection of waveforms than most other modeled synths. It also has an 8-band vocoder with many advanced features, a full range of effects, and a flexible arpeggiator. 2 audio inputs let you process other instruments through it. Also serves as a compact MIDI controller. Comes with its own microphone. Powerful synthesis The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer. Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settings—routing the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc.—and you have performance tha


Sunday, February 26, 2012

Korg 37-key Mmt Analog Modeling Synthesizer/Vocoder - Korg R3

Korg 37-key Mmt Analog Modeling Synthesizer/Vocoder - Korg R3 Review



Korg 37-key Mmt Analog Modeling Synthesizer/Vocoder - Korg R3 Feature

  • 37 notes (full size keys, velocity sensitive)
  • 128 programs (16 banks x 8 programs)
  • Input Impedance: 600 Ohm
  • Maximum Input Level: -33 dBu
  • Gooseneck microphone, AC adapter (DC 12 V) and CD-ROM
Korg 37-key Mmt Analog Modeling Synthesizer/Vocoder - Korg R3


Tuesday, February 14, 2012

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black)

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black) Review



Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black) Feature

  • Vintage design is both fresh and nostalgic
  • 37 Key Natural touch keyboard is compact, yet easy to play
  • Korg's renowned MMT (Multi Modeling Technology) engine, optimized for the microKORG XL
  • 17 powerful KAOSS derived effects
  • 16 band vocoder for voice controlled effects
Joining the ranks of the top-selling originals microKORG and R3, the 37-note velocity-sensitive Korg microKorg XL Analog Modeling Synthesizer with Vocoder offers Korg’s legendary analog modeling, along with an ergonomic interface, in a lightweight and portable keyboard. The microKorg XL employs full eight-voice multi modeling technology, a 16-band vocoder, on-the-fly parameter editing and USB MIDI connectivity, all packaged with the great-feeling Natural Touch keyboard action. The MMT (Multi Modeling Technology) sound engine is descended from the RADIAS/R3 synthesizers, while the dual effects processors come down from the famous KAOSS line. The black key/white key proportions have been adjusted for easier chording; the key response has been improved for rapid-fire soloing. Together with a sound-bending vocoder and six-pattern arpeggiation, microKORG XL packs a powerful sonic punch. The eight-voice MMT synth engine offers traditional analog waveforms plus a total of seven algorithms, including formant waveforms, noise, and PCM/DWGS waves for those vintage keyboards and strings. Cross-modulation, unison stacking, and VPM (Variable Phase Modulation) let you create sounds that would be impossible for a conventional PCM synthesizer. Sync and ring modulation make it easy to create complex and powerful sounds. Two multi-mode filters, a drive/waveshaping circuit for distinctively distorted sounds, and EG and LFO for creating time-varying tonal change, provide plenty of parameters for serious synthesis. Virtual Patching brings it all together.